how to play the sax

how to play the sax

Learn to play guitar solos fewer notes more unique

I can not remember a story I once read in one biographies of Miles Davis.

It was a conversation between Miles and John Coltrane.

Miles was tired of endless solos Coltrane and asked him to make a … in which Coltrane said: "I simply I can not stop playing!" – Miles said: "Just take your mouth sax!.

It's that simple.

I think the guitarists have all been guilty playing too, too high …

In my quest for a more inspired improvisation, I have tried different strategies.

Something that really helped me to play more creative form was "not to play."

It's true!

I'll give you aa practical example:

Dividing a twelve-bar blues three sections, each consisting of four bars.

Home Alone for the first 4 steps, then stops. After four bars, and start playing and on. Reverse order. 4 bars rest then play …

Select groups of bars. Try strange combinations: play 3 bars, remains 2. Stop bar for the game 1 for 3, etc. ..

You find that you can relax more, come with more creative ideas and develop the ability to "say" something interesting, without even thinking.

You start listening to what other members of your group are doing, what arrangements the bass is the rhythmic structure of ideas introduced by the drummer, etc. .. Also suggest start ideas for the rest of the group.

However, it will have dedication and focus.

You need to work on this for at least 30 minutes per session.

You're sitting in your favorite chair, and practice all possible combinations. Try different accompaniment. Once, you use a metronome, sequencer another day, another day, even without accompaniment at all!

Try different styles and … see what is going to play more of a swing song, a Latino and so on.

Of course, you should try this approach changes different agreement. Try 'II VI progressions and then see what happens with the rules.

Important

After practice conscious gets up, prepares a cup of coffee and cold …

After something like 10 minutes of play costs for pleasure …

You will notice immediately that this approach radically changes the way you play by the feedback we get from where you heard in your performance. People feel that something is happening, a story told … will stop talking to pay attention to his music … which is an extraordinary experience, believe me.

I remember one test years ago with a jazz band …

I did not like the driver of a lot, but he said something that I still remember:

"When improvising, imagine that you will pay for the notes that are not playing"

This is something interesting perspective … and a smart way to make more money

I can not forget a story I read a biography of Miles Davis. It was a conversation between Miles and John Coltrane. Miles was tired of ending solos Coltrane and not him asked to shorten … in which Coltrane said: "While I can not stop playing! "- Miles replied:" Just take the horn of your mouth! . It's that simple. I think guitar players we've all been guilty of playing too much, too high … In my quest for an approach most inspired improvisation, I have tried different strategies. Something that has really helped to play a more creative was to train "not to play." It's true, I'll give you aa practical example: Divide a twelve bar blues in three sections, each composed four bars. Read only the first four steps, then stops. After four bars, start playing again, and so on. Reverse order. 4 bars rest then the game … Choose different bar associations. Try strange combinations: play 3 bars, 2 remaining. Stop bar for the game 1 3, etc. .. You'll soon find you can relax more, have more creative ideas and you can develop the ability to "say" something interesting, without even thinking. Also begin to hear what his acolytes, which line the lower the rhythmic structure ideas introduced by the drummer, etc. .. Also starting to offer ideas to the group. However, it takes dedication and focus. You need to work on this for at least 30 minutes per practice session. You are sitting in your favorite chair, and practice all possible combinations. Try different types of support. One day, you use a metronome, sequencer another day, another day, even without accompaniment at all! Try different styles and see what happens … play through a swing song, then a Latino and so on. Sure, you should try this approach in chord changes different. Try 'II VI progressions and then see what happens with the rules. Important: After the conscious practice, gets up, prepares a cup of coffee and cold … He then spent something like 10 minutes of play just for fun to do … You'll notice immediately how this approach radically change your game feedback we get from whom you heard in your performance. People feel that something is happening, a story told … they will stop paying attention his music cat … which is an extraordinary experience, believe me. I remember a test with a jazz big band years ago … the driver did not much, but I said something that I still remember: "When you're improvising, imagine that you pay grades that are not playing" It an interesting perspective … and a smart way to make more money About the Author

Francesco Amico

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Francesco Amico
If you liked this advice you can join my newsletter at this address: 
http://www.topguitarlessonsreviewed.com

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